![]() ![]() * I use Final Cut Pro X version 10.3.2 in the videos. You can have Final Cut Pro create multicam clips for you automatically, or you can create the clips manually. This tutorial is 22 videos long, totaling 1 hour and 37 minutes. Synchronized Clips work best with one video source and one audio source. You'll get hands-on experience because it includes two different multicam projects that you can edit yourself as you follow along with the videos. If you have one camera angle, but multiple audio files, Multicam Clips are a better choice than Synchronized or Compound Clips. If you hit 'T' for the trim tool, you'll be able to move your audio according to its own sample rate, rather than video frames. ![]() And be sure all audio was recorded at the same Sample Rate of 48kHz. If you want to learn the fundamentals of working with multicam in Final Cut Pro X, this tutorial will help you get up and running. Go to the Multicam 'Angle Editor' to line them up. There should also be support for nudging tracks in the event the sync is slightly off. When you capture video of the same thing from multiple camera angles, you can create a special kind of clip in Final Cut Pro X called a "multicam clip", and then cut back and forth between the different angles. Resolve compares the audio waveforms of each clip and aligns the waveforms together. Welcome to my "Multicam in Final Cut Pro X" training! ![]()
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